‘That image reminds me of something. It ignites a small flame that lights my way through the filing system of my mind. It brings me eventually to the hint of a memory, and that memory guides my interpretation of the image, influences my reaction, connects my thoughts and feelings, and threads them together, binding them into a new collection, to be drawn upon the next time something familiar arises.’ – Karen Harvey
The series is taken from a body of work exploring a derelict house and garden in a rural English community. These pictures document apple trees over a period of two seasons during which time the house was bought, sold and bought again. The new owner is slowly clearing the site and dismantling the outbuildings in preparation for a new home in its place.
As with any house, small details of previous occupants remain. In this case, the outbuildings sprung up organically over time, encompassing a workshop, poultry coups and pigeon lofts. Evidence of this industry is everywhere, including newspaper cuttings from the 1930’s plastered on a wall dating from when the house was originally built.
In Christian tradition the apple is a symbol of knowledge, temptation and desire. Recently, it has come to symbolise design, technology and corporate power. As time passes, knowledge accumulates, is gathered, is consumed, or alternatively, it settles in forgotten seams, ready to be re-discovered. As with all things, it deteriorates and is subsumed into something else.
This is everything I ever learnt.