Capitalism is always in crisis, which it solves through expansion – Frederic Jameson, Globalization and Totality, talk UC, Davis, March 3 2008.
Over the past summer I, somewhat idiosyncratically, tramped and traipsed around Heathrow photographing the areas earmarked for airport expansion. I was taken with the idea that communities have been living under the threat of demolition, and in particular a map I spotted online showing an area marked in red overlaying an otherwise ubiquitous section of an old map.
The fact that that these proposals are constantly in the news does not in itself mean that the project is particularly timely. Locals have been fighting off proposal after proposal for around 60 years, and have become adept at the jousting game between advocates of the plan (business) and its many and varied opponents. This time, though, an independent Commissioner, Sir Howard Davies, is deciding, once and for all, whether Heathrow should expand and if so, where. You can download the full 52 page PDF here.
The reason I chose the subject was – as Tom Hunter suggested in the British Journal of Photography (Nov,2010) – to ‘think global while acting local’. It seems to me that, along this frequently ugly, bruised and blemished tract of land lies a hidden narrative affecting far flung corners of the globe. Heathrow Airport Limited, the owners of Heathrow airport are keen to emphasize the benefits of two miles of extra concrete – unlike for example 70 miles of new High Speed rail – allowing a truely global solution to the countries economic needs. Equally powerful though is the idea that expansion and unrestrained growth are socially and ethically contemptible economic models.
Below are a couple of pictures from the project which featured in a self published newspaper.
I recently found the quote at the head of this post in a monograph of the work of Paul Graham, whose work I consistently find insightful and inspiring. The pictures above weren’t originally paired together, but revisiting the work I thought there were similarities of intent. More than any other photographer, it seems, he has used his work to address political and social issues while leaving space for more nuanced narratives to blend and merge with larger themes. There is something quite reassuring and life affirming about being shown such intimate moments playing out in the public domain – fleeting moments which the camera immortalizes, that deliver their message quietly, without the need for drama.
The Heathrow Villages may not be the disenfranchised margins of modern America, as depicted in Graham’s images, but they are nevertheless maligned hinterlands, which are slowly being swallowed by the vortex created by the airport nearby.